Palace and Tomb of Cyrus the Great (reign 550-529 BCE), started construction 550 BCE, Pasargadae
As a ruin, there is not much to see at Pasargadae, the city which the Achaemenian Cyrus the Great began around 550 BCE when he first assumed power. There are palaces with only a few columns standing, a bas-relief or two, and the outlines of some channels and pools which brought life to the gardens surrounding the palace.
To the left is a corner pillar that bears an inscription in three languages saying: “I am Cyrus, the Achaemenian king.” Interesting to consider what made him want to leave this note for posterity.
Reza, our Iranian guide, took these very few elements and conjured up for us what the place looked like in its heyday. Perhaps we were sitting on a portico surrounding the palace, looking out at the luxurious gardens filled with fruit trees, flowers, and birds. The water would be trickling past, with little pools where it paused so that we might catch a reflection of the flowers at its side. The flowers and fruit trees produced wonderful smells and occasionally we could reach over toward a bowl of fruit for an orange. You get the idea.
When Darius I assumed the throne in 522 BCE, Pasargadae was relegated to a secondary position as Darius started building first Susa, then Persepolis.
Cyrus’s tomb is located a short ways away from Pasargadae. The tomb was ransacked ages ago and the building which covered it was destroyed; nothing is left of the treasure it once held. But there is still something quite solemn and respectful about the place.
Darius I’s rock face bas-relief and inscription, Achaemenian Dynasty, begun in 520 BCE, Bisotun
On our visit, we found ourselves in the midst of school children, mostly boys, scampering all over the access route to the viewing vantage point. Unfortunately there was not much to view, as scaffolding nearly obscures the whole face. Fortunately there is a poster in the gift shop with a grand picture of the site.
The immense rock face details the victories of Darius the Great (Darius I), to commemorate his victory over Magus Gaumata and the consolidation of his power. Darius is standing over the body of Gaumata and facing him are the eight rulers of provinces that threatened his reign. Behind him are his allies. Above is the winged figure of Ahura Mazda whom he thanks for assistance in his victory. In these bas-reliefs, as in others of this era, the bigger the size of the person, the more important he was. There are cuneiform inscriptions of Darius’ greatness in three languages Elamite, Akkadian or Neo-Babylonian, and Old Persian. Henry Rawlinson, a British army officer, in 1835 made casts of the texts by dangling himself off the cliffs. His casts facilitated scholars in deciphering the Old Persian cuneiform scripts.
City of Persepolis with Tombs, started in 518 BCE by Darius I (522-486 BCE ), near Shiraz and Naqsh-e Rostam
Persepolis was packed with Iranian tourists who, like us, wanted to explore this amazing site from one end to the other. We had to wait our turn to see the procession of vassal nations, just as the subjects had to await their turn to give their offerings to the Achaemenian rulers. The consequence of the crowds was that I couldn’t get many good photos and so I’ve had to draw on a few from my 2008 trip when we also had access to some areas that were closed to us this time. The photo above is the Gate of All Nations, built by Xerxes I, guarded by bull-like figures.
Darius the Great (or Darius I) started to build this complex in about 518 BCE and work continued on it for nearly 150 years. It is thought to have been used for the Zoroastrian New Year’s celebrations when the various nations in the empire came to pay their respects and offer tributes. Persepolis lasted until Alexander the Great entered the city in 330 BCE, carried off the royal treasury, and possibly set it afire. It is not clear whether it was accidental or deliberate. But the glorious Persepolis was destroyed and subsequently abandoned.
For a ruin, it is in relatively good shape because it was covered by dust and sand until excavations in the 1930s uncovered it.
Disclaimer: I can say with absolute certainty that all of these photos were taken at Persepolis. But I must admit that I am not so confident about their exact location on the site. I have done my best to place them correctly; but if you spot any egregious errors, I would be so pleased if you would let me know.
The Apadana Palace from a distance.
This may be from the Apadana. In this room there were six rows of six columns; each one was topped by griffons, bulls or lions set back to back.
To the left is an example of a griffon.
Lion and bull motif on the Apadana Palace Stairs. According to my sources, the lion represents the sun and the bull represents either the moon or the earth. Because this complex was used for the Nowruz or New Year's celebrations which occur on the first day of spring or the vernal equinox, this scene may represent the light winning out over the darkness or it may show that the powers of the sun and the earth or moon are always in equilibrium. Remember a
similar scene from the Museum of Azarbaijan, shown in the post above?
Northern panels of Apadana Palace Stairs: Persians in long robes and Medes in short ones.
These are the Persian Palace Guards on the Apadana Palace Stairs.
The following three photos are from the Palace of Darius or Tachara.
Door jams of the north and south doors of the tripylon show King Darius followed by two servants holding a fan and a parasol.
Bas-relief in the Palace of 100 Columns, also known as the Throne Room. To the left is the doorway of the Throne Room. This is the largest of the palaces where delegates from subject nations came to restate their loyalty and to pay tribute to the Achaemenian rulers in the New Year.
Jim and I climbed up to the tombs of Artaxerxes II and Artaxerxes III with Zoroastrian carvings. Both are shaped like the ones at Naqsh-e Rostam and have bas-reliefs of the king standing before a fire altar, being held up on a platform by 28 vassal nations with the winged symbol of Ahura Mazda overhead.
Ganjnameh, Achaemenian cuneiform inscription, during Xerxes I's reign, Hamadan
Originally thought to be a guide to finding mythical Median treasures, this first of two inscriptions in cuneiform turns out to be a thank you from the Achaemenian ruler Xerxes I (486-465 BCE) to the Zoroastrian god Ahura Mazda for making him such a good king. It is written in Old Persian, Neo-Elamite and Neo-Babylonian. The second inscription says pretty much the same thing about Darius I (522-486 BCE), Xerxes’ father. After checking out the inscriptions, we stopped for tea at a small tea house and I had my first hookah experience of the trip.
Naqsh-e Rostam, Achaemenian tombs, close to Persepolis
Believed to be the tombs of Achaemenian kings Darius I (died 486 BCE), Xerxes I (died 465 BCE), Artaxerxes I (died 424 BCE), and Darius II (died 405 BCE). The openings led to funerary chambers where the bones were stored after the vultures had picked them clean, as was the Zoroastrian custom. Each tomb is in a cross-shape. This shape has engendered much speculation. What is clear from Reza’s comments about Achaemenian architecture is that they had a huge reverence for balance and symmetry and this shape has both of those elements.
Over the tombs is a bas-relief showing the Achaemenian ruler making an offering to a fire altar while standing on a platform being carried by citizens of his vassel nations. Ahura Mazda, the Zoroastrian god, is flying overhead. There is an almost identical bas-relief at the tombs in Persepolis, as noted above.
See below for some comments about the Sassanian bas-reliefs below the tombs.
Hercules in high relief, Seleucid dynasty, 148 BCE, Bisotun
The Greek inscription says that this figure was carved for Hyakin in 148 BCE in honor of a local governor. He is identified as Hercules because the club and lion skin on which he is laying is associated with him. Apparently his head was replaced at some point.You can see the place where it was reattached.
Naqsh-e Rostam, Sassanian Dynasty, 224-650, bas-reliefs, located under the Achaemenian tombs, close to Persepolis
These are amazing bas-reliefs of imperial conquests and royal ceremonies from the Sassanian Dynasty. The one shown above is of the investiture of Ardeshir I (224-241), on the left, the founder of the dynasty. Ahura Mazda, the Zoroastrian god, on the right, is handing him the beribboned diadem, a clear sign that Ardeshir's right to the throne came from god. Ahura Mazda is also holding the sacred
barsom of twigs which is fuel for the sacred fire. Under the hoofs of their horses are their enemies. Carved around 240, it also has inscriptions in Middle Persian and Greek identifying the four figures, two of which are behind Ardeshir..
This bas-relief shows Shapur I (241-272) on horseback victorious over the Roman Emperors Philip the Arab, kneeling, and Valerian who was captured in the battle of Edessa in 260.
Taq-e Bostan or The Arch of the Garden, Sassanian Dynasty, 224-650, Kermanshah
This archeological site is set in a beautiful shaded garden with a small pond. The bas-reliefs in grottoes are a pleasure to explore. Above you can see a royal investiture with the king, Khusro II, standing between Ahura Mazda and Anahita. Ahura Mazda, on the right, is handing the king the royal diadem and symbol of power and the goddess Anahita, on the left, is handing him a second ring and pouring out water. Anahita is the composite Iranian deity of domestic animals, fertility, and water. Love and war were added to her list of responsibilities when the Achaemenian king Xerxes I forbade the worship of Ishtar, a Babylonian deity of love and war.
A winged figure is holding the royal diadem.
Here is a knight on horseback in full armour with chain mail with jousting lance raised. Perhaps Khusro II and his horse Shabdiz.
These figures are Sassanian kings, Shapur II and Shapur III. Sassanian rulers wore distinctive headgear which we saw on coins bearing their names and profiles. Scholars have been able to identify the figures on these bas-reliefs and others on the basis of the head gear shown on the coins. Even with the coins below, I can't tell these two apart. But the coins are very cool.
Coin of Shapur II.
Coin of Shapur III.
Takht-e Soleiman, Zoroastrian Temple, 5th century Sassanian Dynasty (224-650), then summer palace of Ilkhanid Dynasty in 13th century, on the way from Zanjan to Tabriz
Located on the edge of a small lake with a high mineral content, the Zoroastrian temple was dedicated to Adur Gushnasp, the fire of the king and warriors, which is one of the three most important fires in Zoroastrianism. It was also used as a site for royal coronation ceremonies. It was built in the late 5th century on top of Parthian buildings with a stone wall and round towers encircling the complex. In the late 13th century it became the summer capital of the Mongol Abaqa (1265-1282) of the Ilkhanid Dynasty, who was interested in reviving the pre-Islamic culture of Iran.
As you can tell from the gray skies above, rain was threatening for most of the morning and mid-way through our exploration started in earnest. It was also very chilly. Consequently I didn't take nearly enough photos, except for this wonderful reconstructed barrel vault to the left and various amazing openings, arches and stonework below. And with teeth chattering, I had a hard time following Reza's explanations, clear and succinct as they were.
As the rain increased, we hurried from place to place and ended up having our “picnic” inside a small store on the edge of the parking lot which was dry but not all that toasty. I would have given anything for a cup of hot tea.
Persian dried limes
So here I am at the end of this series of blog postings about my trip to Iran, April 23 – May 14, 2011. I posted the first one on the shepherds on June 14, made 51 blog entries in June and 9 in July for a total of 60.
I prepared for both of my trips to Iran by reading a lot of books. But in these last four weeks, I have learned so much more, or have solidified what I already knew, in a deep and profound way. Gathering all the ruins together, for example, and grouping them by dynasties, I can really see what Sassanian bas-reliefs look like from one site to the next; I can see the Achaemenian fixation with being carried by vassal tribes; I can see the huge influence that Zoroastrianism had on both of these dynasties.
As a ruin, there is not much to see at Pasargadae, the city which the Achaemenian Cyrus the Great began around 550 BCE when he first assumed power. There are palaces with only a few columns standing, a bas-relief or two, and the outlines of some channels and pools which brought life to the gardens surrounding the palace.
The immense rock face details the victories of Darius the Great (Darius I), to commemorate his victory over Magus Gaumata and the consolidation of his power. Darius is standing over the body of Gaumata and facing him are the eight rulers of provinces that threatened his reign. Behind him are his allies. Above is the winged figure of Ahura Mazda whom he thanks for assistance in his victory. In these bas-reliefs, as in others of this era, the bigger the size of the person, the more important he was. There are cuneiform inscriptions of Darius’ greatness in three languages Elamite, Akkadian or Neo-Babylonian, and Old Persian. Henry Rawlinson, a British army officer, in 1835 made casts of the texts by dangling himself off the cliffs. His casts facilitated scholars in deciphering the Old Persian cuneiform scripts.
This may be from the Apadana. In this room there were six rows of six columns; each one was topped by griffons, bulls or lions set back to back.
Northern panels of Apadana Palace Stairs: Persians in long robes and Medes in short ones.
Door jams of the north and south doors of the tripylon show King Darius followed by two servants holding a fan and a parasol.
As you can tell from the gray skies above, rain was threatening for most of the morning and mid-way through our exploration started in earnest. It was also very chilly. Consequently I didn't take nearly enough photos, except for this wonderful reconstructed barrel vault to the left and various amazing openings, arches and stonework below. And with teeth chattering, I had a hard time following Reza's explanations, clear and succinct as they were. 
